What Do
We Want History To Do?
by Drew Gilpin Faust
Editor's
Note: This article is excerpted from a talk given by
Professor Faust at the Gilder Lehrman Institute's
Historian's Forum on October 30, 1996. Professor Faust
gives us a concrete example of what the Bradley Commission
meant when they said that the study of history develops the
habit of mind allowing us to "perceive past events and
issues as they were experienced by people at the time, to
develop historical empathy as opposed to
presentmindedness."
In my book, Mothers of Invention: Women of the
Slaveholding South in the American Civil War,
I wanted to tell a new kind of war story, not a soldier's
story but an equally compelling drama of social and
personal crisis for thousands of nineteenth century
southern women.
But Mothers of Invention as a
women's war story raises important questions about what we
want history to do. What do we regard as significant about
the past? What do we want to communicate to readers?
I became a historian at a moment when answers to these
questions were changing dramatically. I entered graduate
school in the early 1970s, just as history was beginning to
incorporate a variety of new approaches and subjects.
Central to what we have demanded of history in the past
generation is greater inclusivity. We began to try to tell
everyone's story.
The result turned out to be not just new stories to add to
the old ones we thought we already knew. Instead we found
we had to revise our interpretations of the old ones.
Civil War history has been particularly resistant to these
new perspectives. Perhaps because statesmen and generals
were in fact so influential as the nation exploded in
military and political upheaval, historians focused on
their actions to the almost total exclusion of supposedly
less important lives. In my explorations of the South's
wartime experience, for example, I kept coming across
references to the Confederate "homefront" as a critical
factor determining the South's fortunes. Weak productivity
and morale on the homefront, historians argued, played a
significant role in southern defeat. At the same time, I
read descriptions of Confederate mobilization, noting that
three out of four white men of military age entered the
Confederate army. When I put these two together, it struck
me that "Confederate homefront" meant a world of white
women and slaves. How did failures of productivity and
morale relate to the high proportion of white women left on
the homefront?
I found these questions of central importance not just to
white Confederate women but to the Confederate government
and its fate. In a society where responsibilities were
sharply gendered the departure of so many white males had
profound effects. Women confronted unanticipated burdens as
they, in the words of one Texas woman, tried "to do a man's
business" providing for their families and running southern
agriculture. Some women even found themselves in the
fields, behind a plow, for the first time.
Furthermore, white men of the pre-Civil War South had borne
another heavy responsibility. They had managed the slave
system, controlling the labor of 4 million African slaves
and protecting the white South from slave rebellion. In the
antebellum years the exercise of the violence fundamental
to slavery had been overwhelmingly the responsibility and
the prerogative of white men.
In Mothers of Invention I describe women struggling with
feelings of profound inadequacy as they tried to manage
slaves and produce crops. Many were frightened and
resentful as they found themselves on plantations or in the
countryside where they were outnumbered by slaves and
bereft of the white male protection they had come to regard
as their due. Hundreds of women petitioned Confederate
officials demanding that white men be returned from the
army to protect white females in areas with large slave
populations.
Women's difficulties in managing slaves had another
implication. Recently historians have noted the
disintegration of slavery across the South even before the
moment of Confederate defeat--a disintegration they see as
arising in large degree from slaves' efforts to challenge
the circumstances of their bondage and thus literally free
themselves. But as we think about the departure of white
masters and their replacement by white mistresses, we gain
new perspective on "disintegration." To what extent was it
aided by the inability of white female slave managers to
exert physical domination?
As Catherine Edmondston of North Carolina observed in the
middle of the war, Master's eye and voice are much more
potent than mistress'. After her husband left, Ellen
Moore of Virginia complained that her family's slaves
all think I am a kind of usurper & have no
authority over them.
Here once again, looking for women, making them visible,
alters our historical understanding. The meanings of "the
failure of the Confederate homefront," and "disintegration
of southern slavery" change when we add women to the
equation.
Women make a difference in how we understand the Civil War.
But this argument I make for greater historical inclusivity
differs from most such arguments because the women in my
book are different from the subjects of much of women's
history.
A popular justification for historical inclusivity is that
history could or should offer role models. But the women in
my book lived off the labor of four million slaves; they
regarded slavery as justifiable--even moral and humane.
Such objections as they raised to it derived from the
burdens slavery placed on them as managers. My mothers of
invention are unlikely candidates for celebration today.
Other scholars have recently published studies of Nazi
women, of fascist women in Italy, of women in the KKK. We
have begun to move to a new phase of women's history in
which we begin to define different reasons for history's
inclusivity, new answers to the question: What do we want
history to do?
One part of the revolution in historical studies beginning
in the '60s and '70s was a desire to tell a more
complicated story. More people's stories, different
people's stories would make the Big Picture more complex,
more varied, more nuanced. But as we focused on celebrating
the pasts of groups previously left out of the historical
canon, we began to "decelebrate" the pasts of those who had
already been there, transforming earlier heroes into no
more than "dead white males." The author of the Declaration
of Independence, for example, became a hypocrite as
historians decried his ownership of slaves. What then do we
want from our changing version of the past? Have we just
slipped from unexamined celebration to unmixed blame?
My goal in writing about women who were in many ways far
from admirable, but nevertheless had to deal with difficult
situations, was to move to a more complicated
understanding. My task was to present them in ways that did
not excuse their shortcomings, yet allowed them to explain
themselves and the world as they saw it.
I hoped to give a sense of how people are shaped and
constrained by the world into which they are born, of how
their choices are limited by the "taken for grantedness" of
their social universe. I wanted to show how hard it is to
cope with change, to adjust to a new world, even a world
that to us seems unquestionably more morally and socially
desirable--and to show how people managed not just to
accept, but to justify social arrangements we today find
abhorrent.
We need not forgive their rationalizations, but it is
imperative that we understand them. I would like us to
recognize that we too are subject to self delusion, to the
limited vision imposed by the social arrangements of our
own time. As we understand how people in the past fashioned
and maintained their beliefs, we can better evaluate,
criticize, and perhaps change our own. A complex history
ought above all to yield a sense of new possibilities.
Drew Gilpin Faust is the
Annenberg Professor of History at the University of
Pennsylvania. For a copy of Prof. Faust's entire talk, send
a self-addressed, stamped (78ยข), envelope to: Faust, c/o
NCHE, 26915 Westwood Rd., Suite B-2, Westlake, OH
44145.